Photo by: Monica Melton

Guest Post by: Geary Smith

Mentoring 101: 

The Importance of Having a Mentor for Writing Success

     “The mediocre mentor tells.

The good mentor explains. 

      The superior mentor demonstrates.

The greatest mentors inspire!”

–Lucia Ballas Traynor

 

As I think about this quote, I think of my mentor. She explained and demonstrated to help me to become a better writer. She inspired me to become a successful writer.

I was truly at a time in my writing career when I despondent and unsure about my skills and abilities due to receiving so many rejection letters from editors. 

However, when I was about to give up on my dreams of being a writer, serendipitously, my mentor entered into my life and things began to change.

Why is having a mentor so very important for your writing success? 

I believe there are a myriad of qualities to look for in having a mentor for your writing, but here are a few to examine and ponder. 

First, a mentor must be willing to squeeze your project into her busy schedule.  It takes time for a mentor to read, edit and comment on your writing projects.

Secondly, a mentor will give honest feedback and comments on your writing.  Criticism can be tough to hear, but I was never offended by my mentor’s suggestions, red marks, and corrections, because I knew she was trying to help me become a better writer. 

Finally, a mentor will motivate you to keep writing. They believe in you even when you may not believe in yourself.

In conclusion, I am truly fortunate and blessed to find a mentor that came into my life and helped me become a successful writer.  In fact, we still stay in touch. Today, I smile and have a sense of purpose, joy and fulfillment about my writing career, seeing my work being published and actually getting paid for something I love to do. 

I want to leave you with a thought to never give up on your dreams of being a writer.  You just have to find the right mentor that will help guide, lead and inspire you in the right direction.

Geary Smith has been writing for children and young adults for over 35 years. His work has been published in Highlights for Children, Child Life, McGraw-Hill, ProQuest, Kids Imagination Train and many other publications. He has won the Pewter Plate Award by Highlights for Children. Geary Smith is the current Mayor of the city of Mexia, Texas and a member of the Executive Board of the Heart of Texas Council of Governments.  Geary Smith has a B.S. in Psychology from Morehouse College and M.Ed. from Stephen F. Austin University.
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                                                                                                                                                        Photo: Levi Meir Clancy

WAITING SOME MORE  

In the past five years, I've queried a lot of agents.  That boils down to a lot of waiting.  It can take up to 12 weeks to hear back.  That's a long time, but it's part of the submission process.  Writers have to be patient.  And we know this, but the problem ends up being some agents never respond.  You have to submit and see if the agent will reply.  

For instance, several months ago, I've queried someone for the first time.  I received an automatic email confirmation saying she received my submission.  But it's been 28 weeks and I've yet to hear back.  Even after I sent a polite follow-up. 

Most agents use the Query Manager form for submissions and writers will receive a decision within two months.  But some agents avoid answering these queries.  This puzzles me.  Why would an agent set up a Query Manager account and ignore the submissions?  Like this one:

This is sad and disappointing.  I follow many agents on Twitter and find that they tweet multiple times a day.  Not that there's anything wrong with that.  But come on.  If they have time to tweet, wouldn't they have time to respond to a few queries? 

Like most writers, I put a lot of thought, time, and research into selecting an agent.  I compose a professional query and submit a manuscript that might be a good match for their manuscript wish list.  At the very least, I expect some kind of a reply.  

But there are a few agents don't feel the need to inform a writer of their decision.  What's that all about?  How hard can it be?   Are they too arrogant to reply?  Overworked?  Are they disorganized or simply don't care?  It seems like some have forgotten that at the end of a query is a diligent, hard-working writer. 

My writer friends say don't take it personally (I don't) and it happens because they're swamped (yeah, I'll remember that when I see agents tweeting what they're deciding to have for dinner or posting pictures of their pets.)

I'm over sending polished manuscripts and filling out detailed query forms only not to hear back.  So, when I encounter agents who keep me waiting and never respond, I cross them off of my list.  They are not the agents for me.  

Now you may think this situation, this not hearing back sounds discouraging, but in truth, it can be avoidable.  

Here's my plan:  I can keep good records of the agents who have replied to my queries versus the ones who haven't.  I can go to Query Tracker to learn what other writers have said about the response time from agents.  I can check in with other writers to find out what their experience has been in submitting to a specific agent. It's up to me to pinpoint the ones who are trustworthy, the ones who are professional, the ones who are compassionate.  There will always be agents who will not respond.  But I can choose agents who recognize writers are earnest and are waiting to hear back.       

✌ and ♥

                                                                                                                                                                                 Photo by: Magnet.me
THE WAITING GAME 

You've polished your manuscript and you've sent out some queries.  Since it can take three or to six months to hear back from an agent, what will you do in the meantime?   

Here are some suggestions:   

• Develop a blog.  Write about the things that bring you joy or the things that get under your skin. Make it personal so people can relate.   

• Read other writer's blogs.  They can educate and entertain as well as spawn ideas for your blog posts.    

• Read picture books.  Find out what is being published.  Notice the word count.  Are the stories you're writing as clever and unique?

• Read articles on writing for kids.  Learn more about the craft of writing.  Discover the different ways to tell a story through lyricism, humor, and breaking the fourth wall.   

• Brush up your query letter.  Keep it to a page.  The shorter the better.  Include relevant facts about yourself that pertain to writing.

• Watch Youtube tutorials and webinars.  Learn about how to pitch a book and how to write a synopsis and a query.  Learn the facts about representation. 

• Connect with other writers.  Retweet and comment on Twitter.  Ask a writer a question via direct message.  Congratulate writers when they share big news. 

• Enter a writing contest.  Follow the contest guidelines and compose a story.  Winning a contest will boost your confidence and it may serve to beef up your bio.  Plus, you might win a nice prize.

• Develop your platforms.  Update your website at least once a month.  If possible, tweet once a day.  Post regularly on LinkedIn.  Make pins on Pinterest—which has the potential to drive traffic to your website.

• Begin a new piece.  Agents want writers to have a total of three manuscripts on hand.  Revisit older manuscripts and see if you can revise them to make them more marketable.

• Join a kidlit group on Facebook. Here you will find like-minded people that can give you support and advice.  

• Join a critique group.  Audition it first to see if it will meet your needs.  Learn how others approach writing.  See what others have to say about your writing.

In addition to all of the above, you may want to search online for more agents who would be good matches for your work.  You can reach out to other writers who might need help with revising a manuscript or composing a query letter.  

Waiting to hear back from an agent is part of writing game.  Hang in there.  Be productive.  Be patient.  Most of all be positive.  Now is the time to get creative with the time you have on your hands.

✌ and ♥

                                                                                                                                                                                                                     Photo: Fa Barboza 

THE (DREADED) QUERY FORM   

I'm not embarrassed to say I check the status of my picture book submission once a week.

It's easy to do.  When writers submit a manuscript on Query Manager, they receive a link so they can check on an agent's decision.  

Query forms simplify the submission process for agents.  Though they are not complicated, I kind of dread filling one out.  There are a lot of areas that need to be completed.  Here's what agent Carlisle Webber's query form looks like. 

Generally speaking, writers are required to give their name, email, phone number, bio, book title, word count, and genre and supply a query letter, the manuscript, and a pitch.  Sometimes, there will be a space for a synopsis and similar books.  In addition, the agent may request Twitter and website addresses, which show a writer has a platform that can reach an audience.

For me, the challenging part is writing the synopsis.  A synopsis is not the same as the book description. The book description gives story highlights in an intriguing, selling kind of way without giving away the ending.  The synopsis describes the entire plot of the story and reveals the ending.  Because the query form can be daunting, it pays to have the synopsis and the book description already written (as well as the pitch and the query letter) so that these parts can be pasted into the form. 

Completing the query form is time-consuming and it feels like I'm jumping through hoops in order to please an agent.  Nevertheless, I try to fill it out carefully.  This could lead to an offer of representation. 

But each time I finish a form, I feel doubtful.  Have I spelled the agent's name correctly?  Are there any grammar mistakes?  Do the links to my website and Twitter work?  Is the query enticing?  Is the pitch snappy?  I read it multiple times over several days.  I say a prayer before I submit it.  Several prayers.

Then I check back, feeling a little nervous, until I read this message:  

No decision has been made about your query at this time. Please check back later.

And I will.  Because I can't help myself.  Because I've got to peek.  And once a week I will take a look, every hopeful of reading good news.     

✌ and ♥

                                                                                                                                         Photo:  Maren Newhall

SEARCHING FOR LOVE IN THE SLUSH PILE 

It suddenly dawned on me that agents want to fall in love with a manuscript the way people want to fall in love with a pet they hope to adopt.  It's something an agent or an animal-lover can't put into words.  It comes down to having a certain intuitive feeling that says this manuscript (or pet) is right for me and I can't live without it.  This emotional impression usually happens rather quickly.  

For instance, my daughter and I didn't know what kind of cat were looking to adopt at the Humane Society.  We just wanted a cute cat and we were going by gut-feeling.  Ollie made the choice easy for us.  As soon as he hopped onto my daughter's lap, I knew we'd be taking him home.  However, in the time he was our pet, he never sat in our laps again.  Go figure.  That's a cat for you.  

Eight years later, I was relying on the same gut-feeling when I returned to the shelter.  Ollie had passed away and I was ready for another pet.  The minute I saw Ozzie, it was love at first sight.  His sad-looking eyes stole my heart.     

I felt the same emotional tug for one of my neighbor's pets.  Upon meeting Beebee, I fell in love with her in a matter of seconds.  Beebee is a furry cat that lives a few streets from our house.  She's old, scruffy, and a bit deaf, but she is as sweet as pie and she lets me pet her soft thick coat.  She greets me whenever I take a walk in the neighborhood.  Beebee would be my pet if she didn't already have a home.

My furry friend, Beebee 

On the other hand, I have strong feelings about the cat breeds I wouldn't want as a pet.  One is the Russian Blue, a short-haired cat with a blue-gray coat. To me, they look cold and mean.  The only Russian Blue I've ever seen was a stray that had been to our deck looking for food.  This cat was intimidating.  Fierce and defiant.  In fact, he attacked Putty, a sweet stray I care for.  So, I'm doubly prejudiced against this breed. 

I couldn't own a Sphynx because, well just have a look.  My preference is for cats with fur.  However, Sphynxes were ranked as the 8th most popular feline breed in the country, according to the Cat Fanciers’ Association statistics for 2018.  Without a doubt the Sphynx is odd looking, but this breed may appeal to those who have allergies.  

Yes, this is a cat. 

Then there's the Siamese.  And the reason why I wouldn't want one?  They are among the most vocal cats.  It has to be quiet when I write, so a chatty cat would be too distracting.  Thank goodness Ozzie is not too loquacious.  He may chirp or chatter when he sees a bird.  He may speak up when I ask him if he wants to eat or if he wants to be brushed.  If he comes by while I'm writing, he keeps the conversation short and sweet, a quick meow that sounds like "meh."  

Suffice it to say, I have definite preferences when it comes to cats.  Which got me thinking that this may be how agents feel when they search through the slush pile.  They are looking for something that grabs them.  And the catch is, writers have to figure out what grabs an agent because it is an important part of the querying process.  Luckily, many agents have profiles on the Manuscript Wish List, where they can express the kind of manuscripts they would like to acquire. 

Even still, trying to match a manuscript with the specific taste of an agent is tricky.  Not long ago, I sent an agent a humorous story about a cat because she said she was looking for funny cat stories.  My manuscript was rejected.  It's puzzling because I've sent her just what she was looking for.  Or so I thought.  

The whole submission process is so subjective and I can only guess that my manuscript didn't resonate with her.  Which is probably for the best.  If the agent doesn't get my work, then it could mean that we would have trouble working together on other manuscripts.   

It never feels good getting a rejection, so I try to make myself feel better.  I imagine that the agent has a Sphynx cat.  Or a Russian Blue.  Perhaps a Siamese.   I cross her off of my list.  Then it's back to querying other agents.  One day, I'll find an agent who will get a certain je ne sais quoi that will make her fall in love with my manuscript.  And that intuitive feeling will tell her this manuscript is something she must have and she can't live without.  

✌ and ♥

Photo:  Sphinx: Boredpanda.com 

                                                                                                                                                                                                                          Photo: Jamie Street

CRYING WITH A LOAF OF BREAD UNDER YOUR ARM

(DEALING WITH WRITER'S BLOCK)

Just the other day I read a Facebook post written by a prolific and very well-known author, who begged others to help him find something new to write about.  He lamented that he's drowning in picture books. I interpreted that to mean he didn't want to write another kid's book because he said he had sold over five last month!  Really?  And he's complaining?  

He's ready to start something new, but he doesn't know what that can be.  He writes that nothing comes to mind.  I seem to recall that this very author posted a sob-story just a few years ago.  And he's at it again, complaining big time.  If I had more nerve, I'd write him to say:  Couldn't you use this time to be grateful rather than to wallow in misery?  Couldn't you use this time to help others on their writing journey?

What he fails to remember is he is not alone.  Many writers, me included, feel as if we'll never find the inspiration to write the next book.  

So, what do we do when we're stuck in the dark tunnel of writer's block?  For one thing, we won't be making that public on social media.  Most of us have faith in ourselves and more dignity.  We will get over this hump.  We usually do.  We don't plead to strangers to give us ideas.  Dry spells are part of being a writer.  

When I check the writer's post again, people are giving him advice:  take a walk, write your memoirs, try some poetry.  Such good suggestions from these kind-hearted problem-solvers.  But I wonder why a famous writer would stoop to this level?  Could it be for attention?  Could it be a way to get his fans involved in his creative process? Or is he sincerely and desperately miserable?  

I'd like to say, "Deal with it like a writer.  For goodness sakes, you are a role model!  Act like one."

This author has been writing books for years.  Doesn't he know by now that the solution to writer's block comes from within?  

A writer must have the resolve to dig deeply, to go it alone and find that something powerful that says I MUST WRITE ABOUT THIS.  

I find it a little sad that Mr. Prolific author needs to lean on others to find inspiration.  How can that be?  In your lifetime, you've published well over 100 books.  On the other hand, many writers struggle to get one book published.  One book!  If a creative slowdown should strike, they don't complain about it publicly or rely on others for ideas. They climb out of the dark tunnel of writer's block and into the light of possibilities.  They are like the heroes in their books—they take on the responsibility to solve a problem by themselves.  

✌ and ♥

 

                                                                                                                                                       Photo: Dev Asangbam

THE STING OF DISAPPOINTMENT

A couple of months ago, I hoped that a literary agent would fall in love with one of my favorite manu-scripts, Lacey's Red Umbrella.  She didn't.  But she said, "It was a beautiful story.  You're on the right track, and very close and nearly 100% there." 

She suggested to have the manuscript critiqued by a woman named Amanda.  Amanda's pricing was reasonable.  I wanted to follow the agent's advice by having a critique and I wanted to resubmit to her, but I had to find a different manuscript to be critiqued.  The agent had already considered the original and a revision of Lacey's Red Umbrella.  In most cases, an agent will only look at a manuscript two times.  So, the problem was, I had three completed manuscripts that I liked and couldn't decide which one to send for a critique.   

I contacted Amanda to tell her of my interest in her critique services and explained my dilemma.  She kindly offered to read all three stories.  She would choose the one she thought was the strongest.  In her opinion, Amanda thought And Still, Cassie Believes had the most potential. 

About a week later, Amanda emailed me the critique.  To the side of each and every line, she made comments and suggestions.  She explained what to remove to allow the art to illustrate, what to add to clarify, how to advance the plot and simplify the text, where to add transitions, and how to give the ending a twist.  OMG, Amanda was thorough and she had amazing ideas.  As I incorporated many of her suggestions, I emailed her several times to be sure the story was heading in the right direction.  

In the end, the voice of the manuscript stayed intact. The story become even more whimsical with just the right amount of tension.    

After I put the final touches on the manuscript and read it out loud to be sure it flowed, I decided to contact the agent.  I thanked her for putting me in touch with Amanda and mentioned how much Amanda really enjoyed the story about Cassie.  Then I added that I'd love to share this manuscript with her when she reopened for submissions.  

Here's what I was hoping for:  that the agent would say she'd be interested in seeing And Still, Cassie Believes right here and now (wishful thinking) or (more realistically) when she would be ready to receive submissions.  But she wrote, "Isn't she the best? I'm so happy to hear this." 

Talk about a let-down. I was so disappointed. Wasn't she the least bit curious to read a manuscript that had been critiqued by a person she had highly recommended?  Hadn't she seen from my last manuscript that my writing is nearly where she expects it to be?  Couldn't she have shown some interest?  Been a little kinder?  How depressing.

So, how do I move forward?  I decided to push this agent's name further down on my submission list and use the sting of disappointment forge on. 

I had Lacey critiqued by a published writer.  Afterward, I tightened the piece and it has been submitted to a handful of agents.  It has also been entered in an international picture book contest.  

As for Cassie, it is being submitted to agents and to a publisher of children's literature.  The story will be presented on a Twitter pitch event.  I love this manuscript and believe whole-heartedly in it.  Like Lacey, Cassie is a beautiful story—and after a revision, it is 100% there.    

 ✌ and ♥  

REIMAGINING A BETTER QUERYING EXPERIENCE 

Guest post by - Humayun Khan, writer and founder of QueryCats 

Let’s face it.  Querying sucks!  First you have to do research, short-list agents, then tailor your query over and over and over again.  

There’s a lot of rejection or passes and well, it can be pretty darn stress-inducing.  

Of course, nothing compares to the elation of waking up to a full manuscript request, a contract, and that blessed day when you ink your signature and get to put repped by @soandso in your Twitter bio.  

But what if the whole experience could be a little more fun and what’s more fun the getting support from the world’s most loved animal (biased opinion) while you’re on this journey?  

Like many writers, I poured my blood, sweat, and tears into a manuscript for a young adult novel only to get to the querying phase and finding out how hard it was to get representation. 

It’s a very confusing experience. Everything in my gut was telling me that what I wrote was worthy of seeing the light of day in a bookstore. I then discovered it's an entirely different skillset to pitch and market what I wrote in a way that would make it appealing for an agent. 

And I get it, agents are ridiculously busy, underpaid, often working multiple jobs, and working with their existing clients. Reading through queries from unsigned writers is at the bottom of their to-do list.

But I persevered and eventually found the perfect agent who helped shape my manuscript into something that would get picked up by a big publishing house. I never would’ve been able to achieve what I did without her. 

With my experience and day job as a software designer, I wanted to create an agent directory from the ground up that would take some of the sting out the querying process for other writers. That meant creating an application that was easy on the eyes, simple to use, and not something remnant of websites circa 1991. 

My hope for QueryCat is to make it easier for writers to research and shortlist agents while being able to easily track their queries.

You might be wondering, why cats? I think the bigger question is, why not cats? Querying is literally the most stressful experience and if there’s one thing that can help writers get through bleak moments, it’s photos of cats.

Don’t take my word for it, check it out at https://www.querycat.co.

✌ and ♥

 

 

                                                                                                                                                                                                                   Photo: Erik Witsoe

THREE STEPS BEFORE SUBMITTING  

I can show my clients how to craft a children's story and how to compose a query letter.  But the one thing I can't show them is how to slow down and be thorough when submitting to a publisher. 

All of my clients want to get published, but Gail seems more desperate than the rest.  I believe her desperation causes her to be impetuous.  And when she's impetuous she rushes and gets careless about submitting her work.  This worries me.   Her impulsive behavior may sabotage the dream of seeing her work in print.   

So, when we work on her projects, I remind Gayle of the three steps every writer should do before submitting to a magazine: 

1.  Adhere to guidelines.  The submission requirements may list the word count, the formatting specifics, the magazine's focus, and the age range of the audience.    

2.  Study a few back issues.  Take a look at the topics to get an idea of the subjects that are published.    Note the tone (serious or light) and the formatting to see if subheadings are used and shape the work similarly.  

3.   Edit and polish the manuscript.  Have a second reader review it to catch grammar or spelling errors and to give ways to improve the piece.   

No matter how often I remind Gayle of those three steps, she still rushes the process.  And because of that, her latest submission did not have a happy ending. 

Gayle submitted a piece to a children's magazine.  But within six weeks, she received a rejection.  The editor replied he did not publish the kind of work Gayle had sent him. 

I felt bad for her.  She revised and edited her work and wrote a professional query letter, but she submitted a piece that wasn't a good fit for this market.  It could be the guidelines were vague, though I got the feeling that she didn't notice that a good portion of the magazine was written by children. 

Needless to say, Gayle feels defeated.  But no matter how frustrated she gets, I believe she has potential.  I feel it in my bones she'll be published.  She just needs to listen to sound advice and slow down.  Writing for publication is not a race.  I'm hoping she'll realize this.  Because when she learns to take her time and adhere to the steps of submitting, her publication dreams will come true.   

✌ and ♥

                                                                                                                                                                                                                          Photo: Diego PH

A VISIT FROM THE MUSE

A few months ago, my muse visited me just as I sat down for breakfast.  Having a flash of inspiration at the kitchen table has never happened to me before.  In fact, inspiration usually strikes when I'm at the computer—it rarely happens elsewhere.  But that morning, the idea was so surprising and so powerful that I wolfed down my oatmeal and jogged upstairs to write.   

My muse was kind enough to follow me.  She revealed the initial concept and the conflict of the story.  Nothing more.  I simply started to type the first line (whatever came into my head) and allowed the muse to guide me.  This first line led to the setting of the story: a small village governed by a king.  

At this point, all I knew was the main character was a little boy who faced a big problem.  However, I didn't know his name or how he was going to solve the problem.  It didn't matter at this point.  What mattered was following the lead of the muse and allowing the voice of the story to shine through with lyrical language (rhythm, similes, and repetition) and sparse dialogue. 

I honestly didn't think about where the story was going.  Misspellings were ignored.  Editing would come later.  After about an hour, I had a rough draft of the story.

In the weeks that followed, it was time to address major issues.  There were questions that had to be answered: 

• What were the personality traits of the main character?
• Would the main character's name reflect his personality?
• How would the main character change by the end of the story? 
• How can I show the feelings of a child when he's up against something so big?  
• How would he solve the problem?  
• How could the message (the theme) of the story be conveyed without being didactic?  
• How do I resolve the story and perhaps throw in a twist?  
• How do I allow the action of the story to unfold visually so that an illustrator had plenty to work with?

With so much to consider and work out, you might say, go ask the muse for her help.  Invite her to return.  But it doesn't work that way.  It's not up to my muse to solve these problems.  Her goal was to inspire and set me on a journey.  I alone had to find a way to way to make it all work.   

Day by day, the story took shape and the beginning, the middle, and the ending came together like pieces of a puzzle.  Then, my first reader made comments and afterward, I edited the manuscript.  Now, the story is out on submission.  Time will tell how it will be received.  It may be a tough sell because it has social and political overtones.  However, it has a powerful premise, so it may pique the interest of an agent.   

It's exciting and surprising when inspiration strikes.  But this brain flash can be fleeting and soon forgotten.  That's why I wolfed down breakfast and headed upstairs to write.  When the muse stops by, there is no time to waste.  Intending to get to it later would not a good plan.  I had to act now.  I had been given a gift:  the seeds to a story.  And I was fired up to set it all down in words.  

✌ and ♥

                                                                                                                                                                                                                       Photo: Kristina Flour 

DAMN THAT OL' STEPHEN KING

After having breakfast, I warm up a cup of Guatemalan coffee and head upstairs to work.  I check LinkedIn, Pinterest, and Twitter and then dive into composing blogs, fine-tuning query letters, and editing manuscripts.  But when it's noisy, my productivity slams to a halt.  It's frustrating because I have little control over loud sounds.  I can't force people to refrain from mowing their lawns.  I can't keep neighbor's dogs from barking.  

My husband has a good idea how sensitive I am to noise, so he tries to keep the volume down when he practices the guitar.  But when the Pittsburgh Steelers are on television, he cheers for them or more likely, he shouts at them.  If you're a fan you'd understand.  It's nearly impossible to be quiet (especially this season) while watching the Steelers. 

When it's noisy during my work hours, I always think of Stephen King.  King writes in a room on the top floor of a Victorian mansion outside of Bangor, Maine, lit by skylights and filled with shelves of books.  He has a big desk and a cozy chair.  I imagine it's free of distractions.  I imagine it is very quiet. 

My writing place (the guest bedroom) is comfortable and convenient.  But unlike King's room, I do not have bookshelves or skylights.  And it is not always quiet—especially when it snows.  

A few days ago, we received a sprinkling of snow.  My husband was inspired to get outside and remove it.  If it had been more than four inches, he would have used the snow blower.  But since we only accumulated a couple of inches, he opted for the snow shovel.  He began on the driveway and to most people it was not that loud, but it pulled me away from writing and I focused on the rhythmic sound of shoveling, the scraping of metal on concrete, and though I appreciated him clearing the snow, I hoped that the job would soon be finished and then all I thought about was Stephen King—up in his study merrily composing his best-selling novels IN COMPLETE SILENCE.  Damn that ol' Stephen King.  

It's kind of a drag to be sensitive to noise.  But this is the way I'm wired.  In my younger days, I had to have peace and quiet when doing homework.  The need for silence is still the case and it has stuck with me throughout my adult life.  There's no escaping it.  Not even ear plugs work.  I have to try to suck it up and deal with it.   

Luckily, for most of the year, the neighborhood is quiet and the Mrvos household is calm.  Ah...I savor the serenity.  When it's tranquil, still and hushed, I am writing away in my writing room, working away in complete blissful silence, totally in the groove.  I am focused and oh so productive.  All is good and Stephen King is never on my mind—unless the weather turns wintry and we're in for two inches of snow.  

✌ and ♥

https://www.killthecablebill.com/blog/best-horror-movies?off

TO PB PITCH OR NOT TO PB PITCH, THAT IS THE QUESTION

I'd often wondered if it would be worthwhile to participate in #PBPitch, an online session where writers can pitch manuscripts to agents and editors.  All that's needed is a Twitter account and a polished manuscript to join in.      

Being curious, I decided to pitch three manuscripts in the 2020 October event.  What I found was it's necessary to allow time to work on pitches days well before the event.  I needed to create at least two different pitches per manuscript because writers were not allowed to use the exact wording twice.  Each had to be unique and compelling.  In addition, the pitches needed to be short.  Agents and editors would not have time to read big blocks of text even though Twitter allows a 280-character count.    

There would be a lot of writers taking part in the event.  So, I was eager to learn the best approaches to pitching.  Here's what I found out from writers who have had success: 

• Check the rules to see how many manuscripts you can pitch and how often you can pitch
• Watch to see when the engagement picks up and then pitch your manuscript 
• Use hashtags that categorize your work
• Pin your strongest pitch
• Retweet other writers' pitches and make encouraging comments
• Respond to your comments 
• Spread your pitches out from morning to evening 

I felt a roller coaster ride of emotions during the Twitter Pitch event:  excited, hopeful, giddy as well as nervous, disillusioned, and defeated.  Afterwards, I wondered why put myself through this mixture of joy and agony.  All writers that participated were dying to have their pitches liked by an agent.  And yet during the last session (and I'm talking 12 hours) I only saw a handful pitches that received hearts.  

Is Twitter pitching worth it?  That's a tough question.  Pitch events are a great way to interact with agents, to support the writing community, and to fine-tune the hook for query letters.  On the down side, a pitch event is time-consuming, can be physically exhausting (my eyes were killing me after reading and commenting on pitches) and it may leave you feeling discouraged.  

There are those who say you should never stop taking risks.  Writers have found representation through pitching.  But I'm on the fence about it.  Part of me even wonders if any agents actually saw my pitches.  It's easy to get lost in the feed.  You however, may feel up to the challenge.   So, do some research.  Weigh the pros and cons.  And if you're curious, go for it.  Only you can determine if #PBPitch is right for you.

✌ and ♥