Photo: Jamie Street

CRYING WITH A LOAF OF BREAD UNDER YOUR ARM

(DEALING WITH WRITER'S BLOCK)

Just the other day I read a Facebook post written by a prolific and very well-known author, who begged others to help him find something new to write about.  He lamented that he's drowning in picture books. I interpreted that to mean he didn't want to write another kid's book because he said he had sold over five last month!  Really?  And he's complaining?  

He's ready to start something new, but he doesn't know what that can be.  He writes that nothing comes to mind.  I seem to recall that this very author posted a sob-story just a few years ago.  And he's at it again, complaining big time.  If I had more nerve, I'd write him to say:  Couldn't you use this time to be grateful rather than to wallow in misery?  Couldn't you use this time to help others on their writing journey?

What he fails to remember is he is not alone.  Many writers, me included, feel as if we'll never find the inspiration to write the next book.  

So, what do we do when we're stuck in the dark tunnel of writer's block?  For one thing, we won't be making that public on social media.  Most of us have faith in ourselves and more dignity.  We will get over this hump.  We usually do.  We don't plead to strangers to give us ideas.  Dry spells are part of being a writer.  

When I check the writer's post again, people are giving him advice:  take a walk, write your memoirs, try some poetry.  Such good suggestions from these kind-hearted problem-solvers.  But I wonder why a famous writer would stoop to this level?  Could it be for attention?  Could it be a way to get his fans involved in his creative process? Or is he sincerely and desperately miserable?  

I'd like to say, "Deal with it like a writer.  For goodness sakes, you are a role model!  Act like one."

This author has been writing books for years.  Doesn't he know by now that the solution to writer's block comes from within?  

A writer must have the resolve to dig deeply, to go it alone and find that something powerful that says I MUST WRITE ABOUT THIS.  

I find it a little sad that Mr. Prolific author needs to lean on others to find inspiration.  How can that be?  In your lifetime, you've published well over 100 books.  On the other hand, many writers struggle to get one book published.  One book!  If a creative slowdown should strike, they don't complain about it publicly or rely on others for ideas. They climb out of the dark tunnel of writer's block and into the light of possibilities.  They are like the heroes in their books—they take on the responsibility to solve a problem by themselves.  

✌ and ♥

 

                                                                                                                                                       Photo: Dev Asangbam

THE STING OF DISAPPOINTMENT

A couple of months ago, I hoped that a literary agent would fall in love with one of my favorite manu-scripts, Lacey's Red Umbrella.  She didn't.  But she said, "It was a beautiful story.  You're on the right track, and very close and nearly 100% there." 

She suggested to have the manuscript critiqued by a woman named Amanda.  Amanda's pricing was reasonable.  I wanted to follow the agent's advice by having a critique and I wanted to resubmit to her, but I had to find a different manuscript to be critiqued.  The agent had already considered the original and a revision of Lacey's Red Umbrella.  In most cases, an agent will only look at a manuscript two times.  So, the problem was, I had three completed manuscripts that I liked and couldn't decide which one to send for a critique.   

I contacted Amanda to tell her of my interest in her critique services and explained my dilemma.  She kindly offered to read all three stories.  She would choose the one she thought was the strongest.  In her opinion, Amanda thought And Still, Cassie Believes had the most potential. 

About a week later, Amanda emailed me the critique.  To the side of each and every line, she made comments and suggestions.  She explained what to remove to allow the art to illustrate, what to add to clarify, how to advance the plot and simplify the text, where to add transitions, and how to give the ending a twist.  OMG, Amanda was thorough and she had amazing ideas.  As I incorporated many of her suggestions, I emailed her several times to be sure the story was heading in the right direction.  

In the end, the voice of the manuscript stayed intact. The story become even more whimsical with just the right amount of tension.    

After I put the final touches on the manuscript and read it out loud to be sure it flowed, I decided to contact the agent.  I thanked her for putting me in touch with Amanda and mentioned how much Amanda really enjoyed the story about Cassie.  Then I added that I'd love to share this manuscript with her when she reopened for submissions.  

Here's what I was hoping for:  that the agent would say she'd be interested in seeing And Still, Cassie Believes right here and now (wishful thinking) or (more realistically) when she would be ready to receive submissions.  But she wrote, "Isn't she the best? I'm so happy to hear this." 

Talk about a let-down. I was so disappointed. Wasn't she the least bit curious to read a manuscript that had been critiqued by a person she had highly recommended?  Hadn't she seen from my last manuscript that my writing is nearly where she expects it to be?  Couldn't she have shown some interest?  Been a little kinder?  How depressing.

So, how do I move forward?  I decided to push this agent's name further down on my submission list and use the sting of disappointment forge on. 

I had Lacey critiqued by a published writer.  Afterward, I tightened the piece and it has been submitted to a handful of agents.  It has also been entered in an international picture book contest.  

As for Cassie, it is being submitted to agents and to a publisher of children's literature.  The story will be presented on a Twitter pitch event.  I love this manuscript and believe whole-heartedly in it.  Like Lacey, Cassie is a beautiful story—and after a revision, it is 100% there.    

 ✌ and ♥  

REIMAGINING A BETTER QUERYING EXPERIENCE 

Guest post by - Humayun Khan, writer and founder of QueryCats 

Let’s face it.  Querying sucks!  First you have to do research, short-list agents, then tailor your query over and over and over again.  

There’s a lot of rejection or passes and well, it can be pretty darn stress-inducing.  

Of course, nothing compares to the elation of waking up to a full manuscript request, a contract, and that blessed day when you ink your signature and get to put repped by @soandso in your Twitter bio.  

But what if the whole experience could be a little more fun and what’s more fun the getting support from the world’s most loved animal (biased opinion) while you’re on this journey?  

Like many writers, I poured my blood, sweat, and tears into a manuscript for a young adult novel only to get to the querying phase and finding out how hard it was to get representation. 

It’s a very confusing experience. Everything in my gut was telling me that what I wrote was worthy of seeing the light of day in a bookstore. I then discovered it's an entirely different skillset to pitch and market what I wrote in a way that would make it appealing for an agent. 

And I get it, agents are ridiculously busy, underpaid, often working multiple jobs, and working with their existing clients. Reading through queries from unsigned writers is at the bottom of their to-do list.

But I persevered and eventually found the perfect agent who helped shape my manuscript into something that would get picked up by a big publishing house. I never would’ve been able to achieve what I did without her. 

With my experience and day job as a software designer, I wanted to create an agent directory from the ground up that would take some of the sting out the querying process for other writers. That meant creating an application that was easy on the eyes, simple to use, and not something remnant of websites circa 1991. 

My hope for QueryCat is to make it easier for writers to research and shortlist agents while being able to easily track their queries.

You might be wondering, why cats? I think the bigger question is, why not cats? Querying is literally the most stressful experience and if there’s one thing that can help writers get through bleak moments, it’s photos of cats.

Don’t take my word for it, check it out at https://www.querycat.co.

✌ and ♥

 

 

                                                                                                                                                                                                                   Photo: Erik Witsoe

THREE STEPS BEFORE SUBMITTING  

I can show my clients how to craft a children's story and how to compose a query letter.  But the one thing I can't show them is how to slow down and be thorough when submitting to a publisher. 

All of my clients want to get published, but Gail seems more desperate than the rest.  I believe her desperation causes her to be impetuous.  And when she's impetuous she rushes and gets careless about submitting her work.  This worries me.   Her impulsive behavior may sabotage the dream of seeing her work in print.   

So, when we work on her projects, I remind Gayle of the three steps every writer should do before submitting to a magazine: 

1.  Adhere to guidelines.  The submission requirements may list the word count, the formatting specifics, the magazine's focus, and the age range of the audience.    

2.  Study a few back issues.  Take a look at the topics to get an idea of the subjects that are published.    Note the tone (serious or light) and the formatting to see if subheadings are used and shape the work similarly.  

3.   Edit and polish the manuscript.  Have a second reader review it to catch grammar or spelling errors and to give ways to improve the piece.   

No matter how often I remind Gayle of those three steps, she still rushes the process.  And because of that, her latest submission did not have a happy ending. 

Gayle submitted a piece to a children's magazine.  But within six weeks, she received a rejection.  The editor replied he did not publish the kind of work Gayle had sent him. 

I felt bad for her.  She revised and edited her work and wrote a professional query letter, but she submitted a piece that wasn't a good fit for this market.  It could be the guidelines were vague, though I got the feeling that she didn't notice that a good portion of the magazine was written by children. 

Needless to say, Gayle feels defeated.  But no matter how frustrated she gets, I believe she has potential.  I feel it in my bones she'll be published.  She just needs to listen to sound advice and slow down.  Writing for publication is not a race.  I'm hoping she'll realize this.  Because when she learns to take her time and adhere to the steps of submitting, her publication dreams will come true.   

✌ and ♥

                                                                                                                                                                                                                          Photo: Diego PH

A VISIT FROM THE MUSE

A few months ago, my muse visited me just as I sat down for breakfast.  Having a flash of inspiration at the kitchen table has never happened to me before.  In fact, inspiration usually strikes when I'm at the computer—it rarely happens elsewhere.  But that morning, the idea was so surprising and so powerful that I wolfed down my oatmeal and jogged upstairs to write.   

My muse was kind enough to follow me.  She revealed the initial concept and the conflict of the story.  Nothing more.  I simply started to type the first line (whatever came into my head) and allowed the muse to guide me.  This first line led to the setting of the story: a small village governed by a king.  

At this point, all I knew was the main character was a little boy who faced a big problem.  However, I didn't know his name or how he was going to solve the problem.  It didn't matter at this point.  What mattered was following the lead of the muse and allowing the voice of the story to shine through with lyrical language (rhythm, similes, and repetition) and sparse dialogue. 

I honestly didn't think about where the story was going.  Misspellings were ignored.  Editing would come later.  After about an hour, I had a rough draft of the story.

In the weeks that followed, it was time to address major issues.  There were questions that had to be answered: 

• What were the personality traits of the main character?
• Would the main character's name reflect his personality?
• How would the main character change by the end of the story? 
• How can I show the feelings of a child when he's up against something so big?  
• How would he solve the problem?  
• How could the message (the theme) of the story be conveyed without being didactic?  
• How do I resolve the story and perhaps throw in a twist?  
• How do I allow the action of the story to unfold visually so that an illustrator had plenty to work with?

With so much to consider and work out, you might say, go ask the muse for her help.  Invite her to return.  But it doesn't work that way.  It's not up to my muse to solve these problems.  Her goal was to inspire and set me on a journey.  I alone had to find a way to way to make it all work.   

Day by day, the story took shape and the beginning, the middle, and the ending came together like pieces of a puzzle.  Then, my first reader made comments and afterward, I edited the manuscript.  Now, the story is out on submission.  Time will tell how it will be received.  It may be a tough sell because it has social and political overtones.  However, it has a powerful premise, so it may pique the interest of an agent.   

It's exciting and surprising when inspiration strikes.  But this brain flash can be fleeting and soon forgotten.  That's why I wolfed down breakfast and headed upstairs to write.  When the muse stops by, there is no time to waste.  Intending to get to it later would not a good plan.  I had to act now.  I had been given a gift:  the seeds to a story.  And I was fired up to set it all down in words.  

✌ and ♥

                                                                                                                                                                                                                       Photo: Kristina Flour 

DAMN THAT OL' STEPHEN KING

After having breakfast, I warm up a cup of Guatemalan coffee and head upstairs to work.  I check LinkedIn, Pinterest, and Twitter and then dive into composing blogs, fine-tuning query letters, and editing manuscripts.  But when it's noisy, my productivity slams to a halt.  It's frustrating because I have little control over loud sounds.  I can't force people to refrain from mowing their lawns.  I can't keep neighbor's dogs from barking.  

My husband has a good idea how sensitive I am to noise, so he tries to keep the volume down when he practices the guitar.  But when the Pittsburgh Steelers are on television, he cheers for them or more likely, he shouts at them.  If you're a fan you'd understand.  It's nearly impossible to be quiet (especially this season) while watching the Steelers. 

When it's noisy during my work hours, I always think of Stephen King.  King writes in a room on the top floor of a Victorian mansion outside of Bangor, Maine, lit by skylights and filled with shelves of books.  He has a big desk and a cozy chair.  I imagine it's free of distractions.  I imagine it is very quiet. 

My writing place (the guest bedroom) is comfortable and convenient.  But unlike King's room, I do not have bookshelves or skylights.  And it is not always quiet—especially when it snows.  

A few days ago, we received a sprinkling of snow.  My husband was inspired to get outside and remove it.  If it had been more than four inches, he would have used the snow blower.  But since we only accumulated a couple of inches, he opted for the snow shovel.  He began on the driveway and to most people it was not that loud, but it pulled me away from writing and I focused on the rhythmic sound of shoveling, the scraping of metal on concrete, and though I appreciated him clearing the snow, I hoped that the job would soon be finished and then all I thought about was Stephen King—up in his study merrily composing his best-selling novels IN COMPLETE SILENCE.  Damn that ol' Stephen King.  

It's kind of a drag to be sensitive to noise.  But this is the way I'm wired.  In my younger days, I had to have peace and quiet when doing homework.  The need for silence is still the case and it has stuck with me throughout my adult life.  There's no escaping it.  Not even ear plugs work.  I have to try to suck it up and deal with it.   

Luckily, for most of the year, the neighborhood is quiet and the Mrvos household is calm.  Ah...I savor the serenity.  When it's tranquil, still and hushed, I am writing away in my writing room, working away in complete blissful silence, totally in the groove.  I am focused and oh so productive.  All is good and Stephen King is never on my mind—unless the weather turns wintry and we're in for two inches of snow.  

✌ and ♥

https://www.killthecablebill.com/blog/best-horror-movies?off

TO PB PITCH OR NOT TO PB PITCH, THAT IS THE QUESTION

I'd often wondered if it would be worthwhile to participate in #PBPitch, an online session where writers can pitch manuscripts to agents and editors.  All that's needed is a Twitter account and a polished manuscript to join in.      

Being curious, I decided to pitch three manuscripts in the 2020 October event.  What I found was it's necessary to allow time to work on pitches days well before the event.  I needed to create at least two different pitches per manuscript because writers were not allowed to use the exact wording twice.  Each had to be unique and compelling.  In addition, the pitches needed to be short.  Agents and editors would not have time to read big blocks of text even though Twitter allows a 280-character count.    

There would be a lot of writers taking part in the event.  So, I was eager to learn the best approaches to pitching.  Here's what I found out from writers who have had success: 

• Check the rules to see how many manuscripts you can pitch and how often you can pitch
• Watch to see when the engagement picks up and then pitch your manuscript 
• Use hashtags that categorize your work
• Pin your strongest pitch
• Retweet other writers' pitches and make encouraging comments
• Respond to your comments 
• Spread your pitches out from morning to evening 

I felt a roller coaster ride of emotions during the Twitter Pitch event:  excited, hopeful, giddy as well as nervous, disillusioned, and defeated.  Afterwards, I wondered why put myself through this mixture of joy and agony.  All writers that participated were dying to have their pitches liked by an agent.  And yet during the last session (and I'm talking 12 hours) I only saw a handful pitches that received hearts.  

Is Twitter pitching worth it?  That's a tough question.  Pitch events are a great way to interact with agents, to support the writing community, and to fine-tune the hook for query letters.  On the down side, a pitch event is time-consuming, can be physically exhausting (my eyes were killing me after reading and commenting on pitches) and it may leave you feeling discouraged.  

There are those who say you should never stop taking risks.  Writers have found representation through pitching.  But I'm on the fence about it.  Part of me even wonders if any agents actually saw my pitches.  It's easy to get lost in the feed.  You however, may feel up to the challenge.   So, do some research.  Weigh the pros and cons.  And if you're curious, go for it.  Only you can determine if #PBPitch is right for you.

✌ and ♥

WHEN OPPORTUNITY KNOCKS 

Please enjoy a post written by the exuberant Valerie Bolling. 

Amazing things can happen when you make the most of an opportunity.  You only have to take advantage of the good things that appear in your life.  

For instance, a couple of years ago, I had the opportunity to collaborate on the artwork for my debut rhyming picture book Let’s Dance!  When my book was being edited, I had a specific vision for the illustrations and I could have dug my heels in, but Jes Negrón, my editor at Boyds Mills & Kane, wanted to expand upon my diverse, inclusive vision by creating a more global theme.  Where I saw “Tappity-tap/Fingers snap” as tap dance, she imagined flamenco from Spain.  I envisioned the electric slide or the cha-cha slide for “Glide and slide/Side to side,” but Jes suggested long sleeve dancing from China.  The international concept was perfect, and the illustrations by Maine Diaz truly made my words dance!

Another opportunity presented itself a few years after the publication of my book.  On June 1, 2020, I saw an agent’s “call” on Twitter, in support of #BVM (Black Voices Matter). I reached out to James McGowan via DM (direct message) in response to his offer to answer questions from Black writers.  During this event, I asked James if he’d be willing to provide specific feedback about a story that I’d sent him in December that wasn’t a good fit for him.  I was interested in his opinion, since I had been querying agents and editors after Let’s Dance! was acquired in July 2018 but received no offers.  

James promptly responded with, “Thanks so much for getting back in touch with me.  Your name has been on my radar recently, since we share a publisher (and even an editor) ... I'd love to reconsider and see more.” I was surprised to have been on James’ “radar” but immediately sent him the manuscript for which I’d requested feedback as well as two others.

The next day, I was shocked when I received an email in which James said, “I still absolutely love your writing,” and he described the writing in one of my manuscripts as “utterly beautiful.” I was beaming, but the sentence that floored me the most was, “I would love the opportunity to speak with you about these manuscripts and possible representation if you’re interested.”

WHAT? How was that possible?  In no way was I expecting an offer of representation. I was totally caught off guard!  Three months after Let’s Dance! was published, I signed a contract with BookEnds Literary Agency with James.  

I am grateful for having the chance to work with an editor and an illustrator.  I am thrilled to be a member of #TeamJames.  When you make the most of an opportunity—being open to change or seizing a moment— amazing things can happen.

 Let’s Dance! celebrates dances from around the world and the diverse children who enjoy them, children from all walks—or dances—of life: a boy in a wheelchair, a girl in hijab, a child in a tutu whose gender is indiscernible. Let’s Dance! showcases dance in a way that highlights diversity—and that leaves no doubt that dancing is indeed for everyone! It reminds us that dancing is a universal language, even though we all have different accents.”

Here’s where you can buy the book  You can request a signed copy. 

                                                                                                                                        Photo: courtesy Wikipedia 

I WON'T GET FOOLED AGAIN 

Sad, but true...I was suckered by an agent.  I paid $300 for literary services not knowing that this was a dishonest practice.  It just goes to show how little I knew about publishing.  

Back in the late 90s, I had enrolled in my first writing class at the Carnegie Center for Literacy in Lexington, Kentucky.  Our assignment was to complete a picture book by the end of the six-week session.  On the last day of class our teacher brought in a local agent.  She passed out her business cards and I jumped at the chance to be represented.  

It never dawned on me that Karen would be unethical.  All I knew was that she was a nice person whom my writing instructor had recommended.  She invited me to her house for a business lunch.  During the meeting, she discussed her plans for presenting my work to publishing houses.  All seemed legit to me.  Even the money she needed to get the job done.  She was excited about my work and I was thrilled to have an agent who knew the publishing industry.

When we finished our business, she scheduled the next meeting and mentioned that she'd need another payment for more of her services.  At that moment something didn't seem right to me.  When I got home, I contacted a local author to find out whether writers should pay an agent.  She warned me that writers should not be charged for an agent's services and suggested that I look into the Association of Authors' Representatives, a professional organization of literary agents who meet the highest standards and subscribe to a canon of ethics.  

I immediately googled the website.  According to the AAR, the practice of literary agents charging clients or potential clients is subject to serious abuse.  For that reason, members may not charge clients or potential clients a fee and may not benefit, directly or indirectly, from the charging for their services. 

It was no surprise that my agent was not a member of AAR.  So, she was essentially free to charge writers for her services.  But not me.  I ended our relationship.  

Now when I look back on the partnership, I realize that paying Karen was not the only problem—I had also given her the very first picture book I had ever written.  How naïve was that?  My manuscript desperately needed to be critiqued.  It needed to be revised to improve the content.  It needed to be edited to fix grammar, punctuation and sentence structure.  It was not ready to be presented to publishing houses.  

As they say, live and learn.

Fast forward to November, 2016.  Believe it or not, I received an email from an agent on my birthday!  Editorial agent Melissa Carrigee fell in love with my manuscript Maggie and the Summer Vacation Show-and-Tell.  Together, we fine-tuned the text and collaborated with an artist to get the illustrations just right.  Nine months later, my debut picture book was published.   

My relationship with Melissa was wonderful and I wanted to work with her on future projects, but she decided to step away from agenting and to establish Brother Mockingbird Publishing.  So, at this point in my career, I'm searching for a forever agent.  Someone who is honest and professional like Melissa.  I will never forget dishing out hundreds of dollars to someone who called herself an agent.  What a costly mistake.  But hopefully I'll be savvier when I sign with another rep.  Because like the song sung by the Who—I "Won't Get Fooled Again." 

✌ and ♥

                                                                                                                                                   Photo: Jude Beck                                                                                                              

DEALING WITH DISAPPOINTMENT 

Last week, I had a terrible, horrible, no good, very bad day.* The first email I opened was a notice that one of my favorite picture book manuscripts had been rejected.  Then that afternoon, my publisher called to say my educational children's book won't be published until 2022, even though she had planned to have it published this year.  I had such high hopes for both of these books.  Now, I felt so bummed out.     

The writing life is not always sunny.  It's a roller coaster ride of highs and lows.  More lows than highs, it seems.  It takes days, weeks, months to come up with an idea and put it in words, then edit and edit and edit and submit and submit and submit and quite often you get a no thank you, it's a pass, it's not a good fit for my list or the market is not right for your book.  

It's easy to feel hopeless.  But this is what I signed up for.  No one forces me to be a writer.  This is my choice.  And I have to accept the fact that rejection and setbacks are part of it.  I know this.  I've known this for over twenty years.  

A day like this causes me to look back at my life and realize that it has been a journey of learning to be patient.  At the age of 28 I thought I'd never get married.  Two years later, I met my soulmate.  

At the age of 42, I wanted to be published in a children's magazine and three years later I was published in Highlights for Children.  

From that time on, I began to look for a publisher for my picture book and many years later, it was published by a small press.  

I have been successful in my personal life and with my writing career—it just takes some time.  But patience wasn't on my mind on this very bad day.  I needed a distraction so, I took a break from writing and checked Pinterest, LinkedIn and Facebook.  Then I headed over to Twitter.  Up popped a tweet from E. S., an agent whom I follow on Twitter.  

In one of his tweets he mentioned that he had signed ten writers.  That's a big deal.  Since we interactive rather frequently, I congratulated him and then snuck in a question.  I asked him whether I should query a colleague of his.  You see, earlier this year, this colleague rejected two of my picture book manuscripts.  I hesitated submitting to him again.  But E. S. sent me a positive message:  Don't be nervous.  Submit.  This manuscript could be the one.       

Wow, that was one of the coolest messages I've EVER received from an agent.  He lifted my spirits and gave me hope.  On this awful day I decided to stay on the writing path.  I worked on a query.  Maybe this new manuscript could be the one.  The one an agent will love.  The one that will land me representation.  The one that will become a book.  

Sure, there will be rejections.  Setbacks.  Major disappointments.  I repeat my mantra:  Be patient.  And then the sting of rejection and disappointment softens and I keep on keeping on.  I can't imagine not writing, even when I feel discouraged.  And if I remember to be patient, there will be wonderful, delightful very good days ahead. 

✌ and ♥   

* Alexander and the Terrible, Horrible, No Good, Very Bad Day by Judith Viorst

PS.  Merci beaucoup to my faithful followers!  

    

                                                                                                                                                                                                                   Photo: Neonbrand 

HOW NOT TO GET PUBLISHED 

Most writers would never send an unprofessional letter to an agent or a publisher.  They know that if they want to get published it's important to craft a thoughtful, considerate query letter. 

Below is an email that I received.  This letter is an example of what you should not do if you want to publish a book.  

Dear Sir/Mam,
        I want to get published my Novella (38600 words). I want my book online and in paperback as well. I need free publication with you. If you will publish my book without any cost please let me know the procedure for publishing.
Best Regards

Let's look at some of the problems with the letter which I've highlighted in red.  

Dear Sir/Mam,
        I want to get published my Novella (38600 words). I want my book online and in paperback as well. I need free publication with you. If you will publish my book without any cost please let me know the procedure for publishing.
Best Regards

Here are my thoughts.  

Do not:  address the query to sir or mam.  
Do: personalize the query with the agent's name. 

Do not:  declare that you want to get published. It's obvious and shouldn't be stated. 

Do:  be polite and tell the agent that you are submitting your book for her consideration. 

Do not:  omit the title of your book.  

Do:  give the title along with the genre, word count, and a description of the book.  Include comparative titles and a short bio.

Do not:  tell the agent how you want your work published.  

Do:  have a conversation about ways to market your book when you land an agent. 

Do not:  mention that you need free publication.  

Do:  be aware that when you submit to an agent, you should pay no fees. She will earn a percentage of the sales if your book is published.

Do not:  query an editorial consultant to publish your book.  

Do:  know that an editorial consultant can help you polish your work, but they have little power to put your book in print. 

It's safe to say this writer needs practice writing query letters.  When I reply, I'll give him some direction and tips on what a query should look like.  My response will include a link that will show him how to write a query letter. 

I get the feeling that he has sent out this identical letter to a multitude of editors.  (Hint, it's not been personally addressed).  I feel the urgency that he has in wanting to meet his goal.  But he doesn't know the first thing about pitching his book.  And it's a shame because he'll be met with disappointment.  It's kind of sad.  He has crafted the perfect letter that will prevent him from getting what it is he so desperately seeks. 

✌ and ♥


https://www.writersdigest.com/publishing-insights/how-to-write-successful-queries-for-any-genre-of-writing#.XjLaCeI1Itc.linkedin

Please follow me on Twitter and RT my pitches on October 29th for #PBPitch (and I'll reciprocate)  https://twitter.com/RandiLynnMrvos  

WRITING TIPS FROM BOOKENDS LITERARY 

I have to hand it to the agents at BookEnds Literary.  They offer expert writing advise for those who want to get published.  When you watch their Youtube videos, you'll learn about querying, being represented, marketing and much more.  

In this post for The Maggie Project, I'll present a short overview of one of their latest Youtube videos that centers on tips about writing.  But first, let's get to know a little about BookEnds. 

BookEnds was founded in 1999 by Jessica Faust and Jacky Sach.  They wanted to represent books that they had fallen in love with and to help authors achieve their dreams. 

This agency represents fiction and nonfiction for an adult audience. In fiction agents specialize in romance, mystery, suspense, thrillers, science fiction and fantasy, women’s fiction, historical fiction, literary fiction and upmarket fiction.  They are also seeking nonfiction in the areas of memoirs, history, food, current affairs, business and career, parenting, pop culture, and general nonfiction.

BookEnds Jr, represents fiction and nonfiction for the young adult, middle grade and picture book markets.  

Jessica Faust, President of BookEnds

I've watched nearly all of their Youtube videos.  What's nice is, you feel like you get to know each agent and their personal preference for books.  I also like that the videos last about 15 minutes and are concise, well-organized, and engaging. 

Listed below are four writing tips from BookEnds, recorded on Youtube June 5, 2020: 

• Give yourself time in between drafts and come back to your work with a fresh mind.

• Write from your synopsis and query before, during and after you write your manuscript.

• Know your specific audience so that you can meet their expectations.

• Write what you care about.

Each of the agents go into more explanation in the video:  https://www.youtube.com/watch?v=A3j24-dvdGQ

Remember to check the BookEnds Youtube video often.  They update frequently and offer new information three to four times a month.  

Writing, editing, and submitting can be intense.  So, it's nice to switch gears and listen to valuable advice, especially from the agents at BookEnds.   

✌ and ♥

NOT A PERFECT MARRIAGE

Most everyone assumes that signing with a publishing company is like having a marriage made in heaven.  This is not always the case.

Three years ago, I was published by a small press.  This company helped me reach a goal:  to have a manuscript illustrated and published for children.  But there can be drawbacks working with a small press.  And you have to decide if the pros outweigh than the cons.

Cons, you say?  How can writers even think about cons when they have the chance to have a book published?

I get your starry-eyed enthusiasm.  It can take years to land a publisher or an agent.  Nothing is going to squash your dreams.

Still...if you submit to an indie press and they offer you a book contract, proceed with caution.

I researched my publisher and didn't find any negative comments about them.  A year later after signing the contract, I had to deal with issues that could not have been foreseen.

Before you sign a contract, google the small press to find out more about them.  See if there have been any complaints.  Contact some of the published authors and ask them about their experience with the press, both the good and the bad stuff.

Even after learning as much as you can and feeling safe with the publisher, you may find as I did, that concerns may flare up months afterward.  That said, be aware that certain matters are beyond your control and cannot be predicted.

Below are some facts to consider.

With a small press you may: 

• publish a book in less than a year after signing a contract
• have an opportunity to choose an illustrator if you write picture books
• be able to take part in the revision process 
• be able to make suggestions for the illustrations
• have your book promoted on the small press website and sold by Amazon

But you may:

• find your name and title of the book missing from the spine 
• find the paper weight lighter than desired 
• receive no help with marketing 
• get little compensation for the money you invested in marketing 
• find libraries will not purchase your book 
• find your book dropped from the small press website after the contract has expired
• discover the publisher expects you to buy back returned books (check your contract)
• realize your publisher is not interested in your career    

I was excited to have my first book published by a small press.  But the relationship with this publishing company was lopsided.  I was putting in way more effort and receiving little in return.

So, after much soul-searching, I decided to part ways with this publisher after the contract expired.  It was the right move for me.  I have no regrets.  Working with the small press was a good learning lesson for me.  But now, I have higher expectations.  I want a better match.  Because a publishing partnership should be more than two people working toward a goal.  It should be like a great marriage—one that is built on commitment, teamwork, mutual respect, and decency.


✌ and ♥

                                                                                                                                                                                             Photo: Sammie Vasquez 

GAMBLING GIRL

I'm not what you'd call a risk-taker.  Even still, I decided to take a gamble.

I contacted my former agent to see if she'd take a look at two of my manuscripts. Specifically, I wanted to know if they were marketable.

You might think, what's the big deal?  The big deal is, this move is generally not practiced in the literary world.

If a writer wants to know if her book is marketable, she has to send a query letter to an agent.  But agents will not tell you if your work is marketable.  The only way you'll know is if they offer representation, which means they love your story and they think it will sell. 

I believed that Mel would give me unbiased opinion about my work.  She was my literary agent up until the time she decided to start her own publishing company.  But approaching her for feedback would be risky.  Writer's usually don't ask this of publishers and it could sour our friendship.  This move could make me look foolish and unprofessional.

Though I was conflicted, I thought contacting her was the right thing to do.  Mel and I had worked together on a book.  And since we still stay in touch and have a professional and friendly relationship, I got the nerve to politely ask her if she'd take a look at my work. 

Mel agreed to read my manuscripts and said she'd get back to me.  And so, three things could happen:

1. She could tell me that these manuscripts didn't have a chance in hell to get published.
2. She could tell that that the manuscripts had potential, but would need significant revision.
3. She could tell me that she'd like to publish them. (It did hurt to be positive.)

Photo: Ian Stauffer

I honestly didn't know what to expect, other than a sincere and honest opinion. Then several days later, Mel sent me an email.  She wrote that she loved one of the manuscripts. In fact, it showed so much promise that she offered to publish it!  That surprised the hell out of me.  In this case, taking a chance proved to be worth it.

But that's not always the case.  Taking a risk can set us up for rejection.  So, what does a writer do?

An article at Huffpost.com gives seven reasons why we should at least consider taking risks:

• Unforeseen opportunities often come from risk-taking.
• Taking risks shows confidence and helps you stand out.
• We learn from risks — and those lessons may lead us on an important, new path.
• Success won't fall in your lap—you have to pursue it.
• You don't achieve your dreams by playing it safe.
• Embracing risk-taking helps you overcome a fear of failure.
• Taking a risk doesn't mean doing so haphazardly—you must not only consider the fall-out, you must implement and follow through.

No doubt, taking a chance is unpredictable.  A crapshoot.  It can bring about an unfavorable outcome.  But then again it can also generate a surprising result.  If you have met an agent at a conference or have a good relationship with one on social media, then it's worth asking for her thoughts about your work.  What have you got to lose?  All she can say is no.  Sure, it's a risky move.  It's a gamble.  But just think, you could get feedback on your manuscript.  And that would be a monumental payoff.

✌ and ♥

More on risk-taking:

https://www.huffpost.com/entry/seven-reasons-why-risk-taking-leads-to-success_n_3749425

https://www.forbes.com/sites/celinnedacosta/2017/06/29/three-ways-that-taking-risks-makes-you-better/#5b6ea1d7468b

                                                                                                                                                                                                               Photo: Jonathan Borba 

MARKET YOUR CHILDREN'S BOOK NOW 

We want our lives to get back to normal, like they were before the onset of COVID-19.  As you know, that is going to take a while.  So if you're like me, you've found you have some time on your hands.  That said, you might like to think about developing a marketing plan for the book that you want to get published.

But, you say you're not ready for marketing because you haven't found an agent yet.  That's no excuse.  Agents want to see that you have a website.

Still, you push back on that idea.  I reacted the same way.  But the truth is, it's better to prepare now.  Case in point, the small press that published my book Maggie and the Summer Vacation Show-and-Tell expected me to carry the weight of marketing my book.  Which was daunting.  And frightening.  And worrisome.  I didn't know how to begin.

On the bright side, I had about seven months to prepare before the book was released.  After reading and researching everything I could get my hands on, I developed a plan which is presented below.  It may give you some ideas how you can go about marketing your book.  It takes lots of time to market a book.  So get started now.  Sooner or later, your book is going to get published and when that happens, you will need to have a plan.

Before you get an agent: create a website

• Research platforms for websites.  https://www.wpbeginner.com/beginners-guide/how-to-choose-the-best-website-builder/  

• Check out famous authors' websites.  Take note of what appeals to you.

• Decide how to incorporate some of these ideas for your website. 

• Choose a domain address with your name so others can easily find you.  Example: http://www.randilynnmrvos.com 

• Establish your brand.  Your style and personality should be apparent on the homepage.

Before the book is released:  create some buzz    

• Website:  Update pages at least once or twice a month.  Offer new content.  Tell followers about your writing projects.  If you blog, announce new posts along with the link to your blog. 

• Marketing team:  Assemble a group of volunteers who will promote the news about your book on their social media platforms.  

• Book reviews:  Give reviewers an advanced copy of your book.  Add the reviews to your website.  

• E-mail list:  Compose a list of your friends, business associates, classmates, and family.  Platforms like Mailchimp, MailerLite, or Mad Mimi offer solutions to create a list.  Send a monthly email to the list to report news: book signings, awards, upcoming articles, book fairs, etc. 

• Writer's magazines:  Create pieces for writer's magazines to inform people about the inspiration for your book or the process of writing your book. 

• Online interviews:  Ask bloggers if they'd accept a guest post or if they'd write a blog about you and your book.  Find a way to reciprocate—feature them on your blog or use social media to promote their work. 

• Local newspaper and magazines:  See if a newspaper journalist or a magazine writer would be willing to write an article about you and your book.  Your pitch should mention a current event, a fact, or a statistic that ties-in to your book.  Explain how an article would serve the audience.  

• Lesson plans.  Develop activities, games and teaching ideas that kids can enjoy during a school visit.

• School visit program.  Decide how long the presentation will be, how many classrooms you can visit, and how you will engage the students.  Discuss your plans with the school coordinator. 

• Book signing.  Call a book store manager to set up a date to sign and sell books.  Send out e-invites to friends, business associates, and family six weeks before the date.  Make arrangements with the manager to discuss the location of your table, how to charge people for your book (will you handle selling or will the bookstore take control?), and what profits you and the bookstore will make.  Think about exciting ways to decorate your table. 

After the book is released:  create some more buzz

• Press release:  Ask your publisher to send press releases to newspapers and bookstores so that your book can be advertised.     

• Library story times:  Ask librarians if they have the funds to buy your book; and if so, offer to read your book at story time.  

• School visits:  Talk with the school librarian to see if she would be interested in having you give a presentation for students.  Keep in mind that safety in a school environment is a priority, so it helps to have personal connections with teachers when trying to arrange school visits. 

• Visit day care facilities.  Make fliers about the book and how to purchase a copy so that the day care can send them home to parents.  Arrange a time to read your book to the children.  Bring games or activities to engage the children afterward. 

• Local craft fairs or book fairs:  Create an interesting table top display to attract readers to visit you.  Have items like cookies or bookmarks handy to give away.  

• Local shop owners:  Figure out how your book is similar to the products sold in the store.  Tell the owner how your book would benefit the customers.

• Online selling:  Ask your publisher to put your book on Amazon, Barnes & Noble, and other online bookstores. 

• Speaking Engagements:  Give a talk about your journey from idea to publication.  Meet the fans of your book.  Bring copies to autograph and sell.

• Book Signing:  Arrive at least 30 minutes in advance.  Check in with the manager.  Stand in front of your table to greet guests.  Have someone take pictures of the event to post online. Celebrate afterward.

Preparing for the next books:  keep connecting  

• Twitter:  Connect with other writers and agents by tweeting encouraging quotes, writing news, and personal opinions.  

• Blogging:  Create amusing, poignant, or informational blog posts that followers can relate to. 

• Pinterest:  Develop your brand visually by creating boards and pins for your boards.

• LinkedIn:  Connect with business associates and advertise blog posts or writing news. 

• Facebook:  Share your writing projects with friends. 

• Website:  Keep updating, sell your book, highlight your achievements.  

As you can see, there are many facets to marketing, before and after an author publishes a book.  My advice to you would be to learn about marketing as you write your book and as you pursue a publisher or an agent.  It may seem early, but the sooner you work on a strategy, the better prepared you'll be when your book is published.

Have fun developing your marketing plan.  Be original.  Get creative.  Think out of the box.  Do things differently than others.  Let it be all about you, because well, it IS all about you.  Remember most of the marketing will fall on your shoulders.  It's just how things are done these days.  But it won't be so daunting or frightening or worrisome when you figure this stuff out now.

✌ and ♥